‘Eternity’ Review: Elizabeth Olsen and Miles Teller in a Fatigued Romantic Comedy About Death

Review of "Eternity"

The romantic comedy "Eternity" explores an unusual premise: what if a recently deceased woman reunited with both her first love and her husband in the afterlife? Director David Freyne attempts to weave humor into grief, but the result feels strained rather than moving.

Story and Concept

After her sudden death, Emma (Elizabeth Olsen) finds herself in a surreal suburban afterworld where she meets two men — her youthful flame and her current spouse, played by Miles Teller. The film aims to balance romantic tension and existential reflection, revealing how love might endure beyond mortality. Unfortunately, this intriguing idea is weakened by uneven pacing and forced emotional beats.

Performances and Direction

Elizabeth Olsen delivers a sincere and layered performance, striving to bring emotional depth to her confused heroine. Miles Teller, however, seems underused, with his character reduced to formulaic reactions and recycled comedic notes. Freyne’s direction tries to mix whimsy and sadness, but his tone frequently drifts, leaving the narrative emotionally inconsistent.

Tone and Execution

Visually, the film adopts soft pastel palettes and nostalgic framing, hinting at dreamy absurdity. Yet, the script does not follow through on its themes, resorting instead to predictable romantic clichés. What could have been a darkly funny exploration of loss becomes an awkward patchwork of sentimental tropes.

"Eternity wants to make peace with death," the review notes, "but it can’t even make sense of love."

Final Impression

Despite its gifted cast, "Eternity" fails to deliver the emotional resonance it promises. The film’s humor feels misplaced, its romance underdeveloped, and its reflections on mortality shallow. What remains is a weary, uneven rom-com that never truly comes to life.


Author’s Summary: A visually tender yet narratively hollow film, "Eternity" struggles to balance grief and romance, wasting strong actors on a confused vision of love after death.

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New York Post on MSN New York Post on MSN — 2025-11-27

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